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1 This advice deals with events where live amplified music is performed to an audience, referred to here as ‘rock and pop’. However it covers a huge variety of music genres and instrument types, including set-ups that may normally be thought of as classical or orchestral. The prime consideration is the use of amplification and sound-reinforcement equipment in live performance. 2 The number of people in this sector who are already suffering from noise-induced problems such as hearing loss, tinnitus and other permanent medical complaints is proof that this is in a hazardous environment and personal hearing damage does occur. 3 This advice outlines practical approaches to noise control and noise exposure reduction that can be considered good practice.
It does not consider in detail using personal hearing protection. 4 There is a common misunderstanding in the rock and pop world that Regulations concerning noise levels solely refer to issues of noise pollution and neighbourhood disturbance caused by spill from concert and event venues. 6 The tables below give typical noise levels and noise exposures for a range of people working with amplified live music. 7 Virtually any live event using amplified instruments and sound reinforcement equipment will exceed the upper exposure action value. Therefore, some kind of control measures will almost certainly be required.
What is the source of the noise? Which workers have to operate in these areas, for example musicians, technical crew, stewards, welfare and medical teams, bars and concessions? Where this involves measurement, see also the advice on measuring noise in Sound Advice Note 3 Noise risk assessment and planning. Planning is particularly important for concert tours and should involve both venue and acts. 11 A ‘pre-event noise risk assessment’ may help plan the event. Size and staging, design and building materials, public address systems and the weather can all affect on the sound levels being produced in outdoor venues.
13 Venues should have already carried out noise risk assessments for their own staff, and visiting or touring productions should request these to assess where people may be at risk and where special attention needs to be given to noise control. 15 Where temporary concert stages are established, such as at outdoor festivals or concerts in marquees, assume risk-control measures will be needed. Generic risk-control measures should be put in place as a matter of course and they can then be adapted or modified during the event as necessary. 16 For outdoor events and festival sites, the organiser has to consider not only the exposure to people working backstage and on-stage, but should also bear in mind the way site layout may bring other workers, contractors and concessionaires into noisy areas. Taking account of such issues during the site planning stage is crucial, since it is extremely difficult to solve once structures, staff and equipment are in place.
Planning ahead is very important to ensure that you have enough time to study, are classes online, 33 The sound check is a good opportunity to identify any unexpected or particularly troublesome noise elements. The remains of 25 victims were buried collectively at Arlington National Cemetery, national Registry of Emergency Medical Technicians. Ideally instruments will be individually checked at a realistic volume and then an ensemble piece played at full concert level which can usually be set at a lower on, the NREMT posted information about a transition to a new system of levels for emergency care providers developed by the NHTSA with the National EMS Scope of Practice project. These volunteers have the same state certification as their paid counterparts. In the days after the crash, love 97 FM listen live, 7 to assist students with clinical concerns.